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Originally Posted By: Karoka
Originally Posted By: It's a trap
Last but not least, he decided it was a good idea to insert a fry up his nose. He never managed to get it back out...
How did he even manage to get it up there?
It was one of the small crunchy (read: delicious) fries that you get at the bottom of a McDonald's fry sleeve/cup/thing.
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Originally Posted By: Karoka
I once breathed in a mosquito. A couple minutes later my nose tube(?) felt itchy. Then my nose started bleeding. The next day, there was a black spot on my feces.

EDIT: I'm not so sure about that last sentence, though.

Your nose does connect to the back of your throat, so any bugs that make it in will probably end up there and not in your airways. But if it's digested, it's going to be digested and no more identifiable than any other food you eat.

—Alorael, who isn't sure why he's going into this, except possibly to add one further detail: he has had a fly crawl into his ear. It sounded a lot like having water in it, except the gurgling wouldn't stop and the bug couldn't be shaken out. A few minutes later a (probably disgruntled) fly emerged and fled.
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Originally Posted By: Karoka
I once breathed in a mosquito. A couple minutes later my nose tube(?) felt itchy. Then my nose started bleeding. The next day, there was a black spot on my feces.

EDIT: I'm not so sure about that last sentence, though.

Also, unless it was a deep-fried mosquito, it doesn't count as a crossover.

Dikiyoba.
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Originally Posted By: CRISIS on INFINITE SLARTIES
You're a terrible not-a-limerick recognizer.


It certainly looked like a poorly written one:

Originally Posted By: Slarty, with some linebreaks added and ellipses removed
There was a septuagenarian eskimo
Who swallowed a fly in his ear
I don't know why
He swallowed the fly
Perhaps he'll DIE.


Looks kinda like one to me.
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Originally Posted By: Dantius
Originally Posted By: CRISIS on INFINITE SLARTIES
There was a... septuagenarian eskimo who swallowed a fly... in his ear... I don't know why he swallowed the fly... perhaps he'll DIE.


You're a terrible limerick writer. I mean, good god man.


Originally Posted By: CRISIS on INFINITE SLARTIES
You're a terrible not-a-limerick recognizer.


The correct reply here is, "you're a terrible limerick writer."



It makes no sense, yet it almost always deals a fatal blow to your opponent.
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You rate it more and more Stars

But should give up and hit Bars

And all get Drunk

Fall into a down Funk

Just be careful when Driving Cars

 

 

Click to reveal.. (sorry)
Not very good I know, but forgive me, I'm pulling these off the top of my head, give me a couple of hours and I'll hit you with some Epic Limerick Prose!
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this THREAD with | it's LIM'ricks | so AW-ful,

makes NONE but | the STU-pid | noobs CHORT-le,

a-LOR-a- | el DID try

but MIS-takes | still FLEW by

now NIK-ki | must GIVE you |this TWAD-dle.

 

lim'ricks SUCH | as these I | have writ-EN,

may not FIT | the top-IC | that's giv-EN,

but the MET- | er is RIGHT

(all mist-TAKES | are but SLIGHT)

one star RAT- | ings, oh LOOK | a kit-TEN!

 

From Wiki:

Click to reveal..
The standard form of a limerick is a stanza of five lines, with the first, second and fifth usually rhyming with one another and having three feet of three syllables each; and the shorter third and fourth lines also rhyming with each other, but having only two feet of three syllables. The defining "foot" of a limerick's meter is usually the anapaest, (ta-ta-TUM), but limericks can also be considered amphibrachic (ta-TUM-ta).

 

(Edit: And, I know both of those limericks can be amphibrachic AND anapaestic, but I figured I'd show you the two.)

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Nikki, your limerick form is great, but some of the words you used just aren't stressed the way you wrote them in. MIS-takes? top-IC? writ-EN? giv-EN? No way. And you're really forcing it putting the stress on the third syllables rather than the second syllables in the second limerick. It doesn't scan, sorry.

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Heh, I know. I suppose as a reference aid it may have helped to make them absolutely correct, but I thought they worked well enough as they are considering.

 

Just for you, though:

 

When Slarty, the prince of these fora

says verse is as bad as Gomorrah,

there are things you can do

like a subtle eff you:

lim'ricks where the stress points are clearer.

 

Click to reveal..

when SLAR-ty, | the PRINCE of | these FOR-a,

says VERSE is | as BAD as | go-MOR-rah,

there ARE things | you CAN do

like A sub | tle EFF you:

lim-RICK's where | the STRESS points | are CLEAR-er.

 

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A jolly good fisher named Fisher

was fishing about in a Fissure (spelling?)

a fish with a grin

pulled the fisherman in

now they're fishing the fissure for Fisher!

 

I sat with the dutches (s?) at tea

as distressed as a person could be

her rumblings abominal

were simply phenomonal (i seriously cant spell)

and everyone thought it was me!

 

I have a funny rhyme to "Twas the night before christmas" but I wont tell it unless asked as not to change the subject.

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Anything can work under a literary license.

 

Here is a well known limerick:

Originally Posted By: Princeton Tiger

There once was a man from Nantucket

Who kept all his gold in a bucket.

But his daughter, named Nan,

Ran away with a man

And as for the bucket

Click to reveal..
NANTUCKET
Click to reveal..
(Nan took it)

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Meter is a funny thing. Some people seem to have a natural ear for it, a few people never seem to quite get it. It makes a surprising difference even in prose. If you do it right, the words just naturally fit the pattern. If you do it really right, they sometimes don't quite — you should never require an outright wrong emphasis, but if you occasionally need to emphasize a word that you normally wouldn't, it makes the pattern less mechanical.

 

Then beyond the simple pattern of syllable emphasis, there is the more general pattern of pronunciation. The stock illustration is this chunk from the Essay on Criticism, especially the last four lines:

Originally Posted By: Alexander Pope
True ease in writing comes from art, not chance,

As those move easiest who have learned to dance.

'Tis not enough no harshness gives offense;

The sound must seem an echo to the sense.

Soft is the strain when zephyr gently blows,

And the smooth stream in smoother numbers flows;

But when loud surges lash the sounding shore,

The hoarse rough verse should like the torrent roar.

When Ajax strives some rock's vast weight to throw,

The line too labours, and the words move slow:

Not so when swift Camilla scours the plain,

Flies o'er th' unbending corn, and skims along the main.

 

It's amazing how slow and laboring the two lines about Ajax are to say, though perfectly correct and not at all awkward; and in contrast how smoothly and easily the lines about Camilla roll off the tongue.

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This is from my dad, he has copyrights:

Cold, Happy, Not

Life goes by wether you want it or not

You just get older till you sit on a pot

Pick up the shovel and go to the mine

If you dig and you dig who knows what you'll find

Don't make up your mind,

It's not very kind

It's a swamp where everythig goes plomp

good intentions drown

in that oozing stinky brown

you end up thinking I'm a useless pitless clown

Pull out your finger , pull up your pants

don't nearly impress you they don't make you dance

What you need is a buldozer pushing at your back

A blindfold on your eyes , no escape through a crack.

get help from the "organization"

Learn who you are

Then you can fly.

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